Being small is a big concern for Chig Kalpin. Like the insects that catch folks unawares with their bites on a summer evening, Chig is small enough and silent enough that she’s near about invisible. But she has a heartfelt desire to become a big person, both in stature and in spirit, and soon her adventures culminate with the Great Niplak Train Disaster, where she helps the folks in the hills and hollers of southern Indiana make it through the Great Depression with a little more to spread between the covers of their sandwiches. Haven’t heard of it? Well, as Chig might say, “Set a spell and turn the page.”

When 13-year-old Olive Oatman's wagon train is raided by outlaw Yavapai Indians, she and her sister are captured. After enduring harsh treatment, they are ransomed by a band of Mohaves. Olive struggles to adjust to her new life, but finds comfort in her faith and in an unexpected friendship. When the time comes for her to return to the white world, she is afraid she will never fit in. But she learns to see the Mohave design tattooed on her chin as a sign of God's love and deliverence, a mark of ransom.

Two hundred years ago, the god Jovah created a legion of land dwelling angels, led by an appointed Archangel.  Now, Jovah has a new appointee: Archangel Gaaron.  For his life-mate, his Angelica, Jovah has chosen a woman named Susannah.  Slowly, an unspoken affection develops between the two. But there is a terrible threat besetting the land-and the true hearts of Archangel and Angelica may never be known.

Another dazzling collection of fact, fiction, and wit from the Hugo and Nebula Award-winning master of hard science fiction!Larry Niven is the New York Times bestselling author of such classic science fiction novels as Ringworld and Destiny's Road. His previous collection, N-Space, was lauded by the Houston Post as "outstanding . . . hours of entertainment," while Publishers Weekly called it "a must for science fiction fans." A follow-up volume, Playgrounds of the Mind, was similarly praised by Kirkus Reviews: "An abundance of Niven's curious yet disciplined inventiveness and his fun-filled knack for turning seemingly absurd notions into credible, absorbing fiction. Grand entertainment."Now, ten years later, Scatterbrain collects an equally engaging assortment of Niven's latest work, all in one captivating volume. Here are choice excerpts from several of his most recent novels, including his upcoming...

Now in paperback from the bestselling author of "The Color of Night"--the gripping story of a man forced to give up everything he's worked for his entire life, or face the horrifying consequences. "The plot grabs you and just won't let go."--James Patterson.From Publishers WeeklyLindsey is an efficient thriller author who sometimes (as in Mercy) reaches considerable heights of suspense and terror. The present book, however, is no more than just efficient, despite its smooth prose, a Lindsey trademark. It has a workable plot-Titus Cain, a self-made Texas millionaire software developer, is being bled financially by a Latino thug who threatens to kill Cain's nearest and dearest if he fails to pay large sums into a series of front companies-but it soon becomes clear that the plot is all there is to the book. Titus; his wife, Rita; and the outlaw techno-whiz they hire to get them out of their horrible situation are not brought to life for an instant, but remain the ciphers of a mindless action movie. It soon becomes clear that the Cains' would-be savior, Garcia Burden, has his own dark agenda, and that their nemesis is not stockpiling money just for himself but perhaps for a sinister Arab group that could be planning a new terrorist attack. There's a great deal of planting bugs, scrutinizing laptops, dashing around in SUVs and the occasional burst of mayhem, but it's basically an unengaging and mechanical exercise. Lindsey can do much better.Copyright 2003 Reed Business Information, Inc. From BooklistMultimillionaire Titus Cain is approached with a strange proposition: if he doesn't give a certain man $64 million, this same man will kill off some (or perhaps all) of Cain's friends and loved ones. The money has to be given to the extortionist in such a way that no one suspects anything is going on (primarily through deliberately bad investments), and if Cain even tries to seek help, the killings will start instantly. Lindsey's latest novel is thoroughly exhilarating, even if the premise isn't completely fresh: Jon Katzenbach's The Analyst (2001) was also about a man who had to do a specific thing if he didn't want the villain to kill his loved ones. Titus Cain is a sympathetic protagonist, a man forced to make tough decisions in the face of enormous danger; Cayetano Luquin, the powerful extortionist, who apparently does this sort of thing for a living, is vastly evil without being cartoonish; and Garcia Burden, the ex-CIA counterterrorism expert to whom Titus turns for help, is resourceful and inscrutable. Lindsey's novels sometimes suffer from lethargy, as though he's just sort of wandering through his story, but this one moves swiftly to its rousing finale. It's a definite winner. David PittCopyright © American Library Association. All rights reserved

Brilliant, painful, dazzling, and funny as hell, Yellow Dog is Martin Amis’ highly anticipated first novel in seven years and a stunning return to the fictional form. When “dream husband” Xan Meo is vengefully assaulted in the garden of a London pub, he suffers head injury, and personality change. Like a spiritual convert, the familial paragon becomes an anti-husband, an anti-father. He submits to an alien moral system -- one among many to be found in these pages. We are introduced to the inverted worlds of the “yellow” journalist, Clint Smoker; the high priest of hardmen, Joseph Andrews; and the porno tycoon, Cora Susan. Meanwhile, we explore the entanglements of Henry England: his incapacitated wife, Pamela; his Chinese mistress, He Zhezun; his fifteen-year-old daughter, Victoria, the victim of a filmed “intrusion” that rivets the world -- because she is the future Queen of England, and her father, Henry IX, is its King. The connections between these characters provide the pattern and drive of Yellow Dog. If, in the 21st century, the moral reality is changing, then the novel is changing too, whether it likes it or not. Yellow Dog is a model of how the novel, or more particularly the comic novel, can respond to this transformation. But Martin Amis is also concerned here with what is changeless and perhaps unchangeable. Patriarchy, and the entire edifice of masculinity; the enormous category-error of violence, arising between man and man; the tortuous alliances between men and women; and the vanished dream (probably always an illusion, but now a clear delusion) that we can protect our future and our progeny. *Meo heard no footsteps; what he heard was the swish, the shingly soft-shoe of the hefted sap. Then the sharp two-finger prod on his shoulder. It wasn’t meant to happen like this. They expected him to turn and he didn’t turn -- he half-turned, then veered and ducked. So the blow intended merely to break his cheekbone or his jawbone was instead received by the cranium, that spacey bulge (in this instance still quite marriageably forested) where so many delicate and important powers are so trustingly encased. He crashed, he crunched to his knees, in obliterating defeat. . . . *-- from Yellow Dog From the Hardcover edition.

One double-crossing gang wants to make Slocum dance…Slocum’s high-tailing it alone to Texas—in hopes that he’ll cross paths with the Double Crosser gang. But on a pit stop, the gunslinger sees a lynch mob chasing down some poor soul—and rescues him by the skin of his teeth. So now Slocum’s got himself a new traveling compadre who calls himself Dancer...   When a fella saves someone from certain death, he expects some gratitude: a round of drinks, a steak dinner, even just a pat on the back. But even though Dancer’s grateful to Slocum, sentimentality still isn’t worth squat in the harsh Southwest—especially where money’s concerned. And when it comes time for Dancer to put his money where his mouth is, Slocum’s gotta watch his back—and keep an eye on one fair-weather amigo…

Agatha Raisin and the Case of the Curious Curate continues the tradition in M. C. Beaton's beloved Agatha Raisin cozy mystery series—now a hit show on Acorn TV and public television.Agatha Raisin is feeling miserable—and with good reason. Her ex-husband, James, has abandoned her, and she's been humiliated by an unseemly proposition from John Armitage, her handsome neighbor. So complete is her devastation that Agatha has given up on makeup and taken to wearing the loose cotton dresses and flat, sensible shoes she has always abhorred.But there is light at the end of this dark and lonely tunnel, and its source is Carsely's beatific new curate, Tristan Delon. With his golden hair, large blue eyes, and perfect mouth, Tristan has attracted the interest of more than a few of his female congregants. And to her surprise, he seems to have taken a special interest in Agatha.Despite his charms, however, there is something odd about the curate, and...

**Four generations of Jedi. One common enemy.** The Jedi Temple is a place of secrets and trust. Inside its walls, a legacy is passed down from generation to generation of peace, justice, and strength. But that legacy can be broken. Sometimes the greatest enemies rise from within.... Lorian Nod is a promising Jedi apprentice. A Padawan named Dooku is his best friend. Under the watchful eye of Yoda, they are preparing to become Jedi Knights. Dooku knows their fate is intertwined...yet he is not prepared for a turn of events that reveals the dark side to him for the first time. Years later, Dooku is a Jedi Master and Lorian Nod is a pirating outcast. With an unforeseen desire for revenge, Dooku works to thwart his former friend -- even if it means crossing his own apprentice, Qui-Gon Jinn.... When Qui-Gon himself becomes a Jedi Master, the specter of Lorian Nod still looms. As Qui-Gon and Obi-Wan Kenobi struggle to find their place as Master and Padawan, they must work together to prevent an interplanetary threat -- and to outwit a very familiar enemy.... During the Clone Wars, Lorian Nod wants to play a pivotal role as the Republic battles to keep hold of a strategic planet. On one side, Obi-Wan and his apprentice, Anakin Skywalker, must decide whether they can trust such an infamous figure. On the other side, the now compromised Count Dooku has a score to settle against his old nemesis.... Four generations of trust and betrayal. One legacy.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. --This text refers to the Hardcover edition. --This text refers to the Hardcover edition.

Three-time Pulitzer Prize-winner Edward Albee’s most provocative, daring, and controversial play since Who's Afraid of Virginia Woolf, The Goat won every major award for best new play of the year: the Tony, New York Drama Critics Circle, Drama Desk, and Outer Critics Circle Awards. In the play, Martin—a hugely successful architect who has just turned fifty—leads an ostensibly ideal life with his loving wife and gay teenage son. But when he confides to his best friend that he is also in love with a goat (named Sylvia), he sets in motion events that will destroy his family and leave his life in tatters. The playwright himself describes it this way: “Every civilization sets quite arbitrary limits to its tolerances. The play is about a family that is deeply rocked by an unimaginable event and how they solve that problem. It is my hope that people will think afresh about whether or not all the values they hold are valid."

A serial killer who strikes by the light of the full moon has made Mary McLean his next target. She knows she should be cautious, but she can't stay away from Michael Gray, a mysterious man with an unearthly secret. But is he there to protect her? Or is he the real danger?

<p>The men of the Wild Mustang Security Firm are tough, strong and wildly dominant. Meet the men, and the women they love:</p><p><br></p><p><strong>Hampton: A Small Town Steamy Romance</strong><br></p><p><em><strong>He loves the chase...</strong></em><br></p><p><br></p><p>When US Marshal John Hampton stops in at his favorite steakhouse, he finds that what he wants most isn't on the menu. Mandy Adams wasn't looking for love and is surprised not only by Hampton's attention but also by her quickly developing feelings.</p><p><br></p><p>Fearing she will be overwhelmed; Mandy flees and quickly learns that a marshal's tenacity in running down a target isn't limited only to fugitives...</p><p><br></p><p><strong>Mac: A Second Chance Small Town...

Through luminescent light, ancestral paths, and a Caribbean spirit-inflected world, Naniki explores the musings and inner workings of the deep blue — the Caribbean Sea — and its shape-shifting sea beings.As the sea mirrors the light from the blue skies, and its depths are exposed by daggers of sunlight, so too Naniki reveals and honours the Indigenous roots of the Caribbean and its people, whose destiny is tied to the sea, the vessel of collective memory.Amana and Skelele are made of water and air, their essence intertwined with Taino and African ancestry. They evolved as elemental beings of the Anthropocene, and shape-shifting with their naniki (active spirits) or animal avatars, they begin an archipelagic journey throughout the Caribbean Basin to see the strange future they dreamed of. Until devastation erupts.Tasked by their elders to go back in time to the source of the First People's knowledge, they must surmount historical and...

THE HARVEST-FIELD It was late in the afternoon of a long summer\'s day in Belgium. Father Van Hove was still at work in the harvest-field, though the sun hung so low in the west that his shadow, stretching far across the level, green plain, reached almost to the little red-roofed house on the edge of the village which was its home. Another shadow, not so long, and quite a little broader, stretched itself beside his, for Mother Van Hove was also in the field, helping her husband to load the golden sheaves upon an old blue farm-cart which stood near by. Them were also two short, fat shadows which bobbed briskly about over the green meadow as their owners danced among the wheat-sheaves or carried handfuls of fresh grass to Pier, the patient white farm-horse, hitched to the cart. These gay shadows belonged to Jan and Marie, sometimes called by their parents Janke and Mie, for short. Jan and Marie were the twin son and daughter of Father and Mother Van Hove, and though they were but eight years old, they were already quite used to helping their father and mother with the work of their little farm. They knew how to feed the chickens and hunt the eggs and lead Pier to water and pull weeds in the garden. In the spring they had even helped sow the wheat and barley, and now in the late summer they were helping to harvest the grain. The children had been in the field since sunrise, but not all of the long bright day had been given to labor. Early in the morning their father\'s pitchfork had uncovered a nest of field mice, and the Twins had made another nest, as much like the first as possible, to put the homeless field babies in, hoping that their mother would find them again and resume her interrupted housekeeping. Then they had played for a long time in the tiny canal which separated the wheat-field from the meadow, where Bel, their black and white cow, was pastured. There was also Fidel, the dog, their faithful companion and friend. The children had followed him on many an excursion among the willows along the river-bank, for Fidel might at any moment come upon the rabbit or water rat which he was always seeking, and what a pity it would be for Jan and Marie to miss a sight like that! When the sun was high overhead, the whole family, and Fidel also, had rested under a tree by the little river, and Jan and Marie had shared with their father and mother the bread and cheese which had been brought from home for their noon meal. Then they had taken a nap in the shade, for it is a long day that begins and ends with the midsummer sun. The bees hummed so drowsily in the clover that Mother Van Hove also took forty winks, while Father Van Hove led Pier to the river for a drink; and tied him where he could enjoy the rich meadow grass for a while. And now the long day was nearly over. The last level rays of the disappearing sun glistened on the red roofs of the village, and the windows of the little houses gave back an answering flash of light. On the steeple of the tiny church the gilded cross shone like fire against the gray of the eastern sky....